Biography of William Allingham: The Life and Legacy of the Irish Poet

Discover the biography of William Allingham, the Irish poet born on March 19, 1824, in Ballyshannon, County Donegal, Ireland. Known for his lyrical poetry and connections with literary figures like Dante Gabriel Rossetti and Alfred Tennyson, Allingham also served as a civil servant and editor. He passed away on November 18, 1889, at Eldon House, Lyndhurst Road, London.

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Biography of William Allingham

William Allingham, an Irish poet and civil servant, was born on March 19, 1824, in Ballyshannon, County Donegal, Ireland. He spent his life immersed in literature and public service before passing away on November 18, 1889, at Eldon House on Lyndhurst Road in London.

Early Life and Background

William Allingham was an Irish poet and civil servant, born into a family with a strong mercantile background. His father worked as a shipping merchant, and he was the eldest of five siblings. His early years were marked by the loss of his mother when he was just nine years old.

Career and Literary Connections

At the age of fourteen, Allingham began working at a bank but later transitioned into a role at the Customs Office in 1846. During his early career, he visited London in 1847, where he met poet Leigh Hunt, and two years later, he formed an acquaintance with Coventry Patmore. His first poetry collection, published in 1850, was dedicated to Hunt.

Between 1850 and 1853, he became closely associated with literary figures such as Thomas Carlyle, Alfred Tennyson, and members of the Pre-Raphaelite Brotherhood, including Dante Gabriel Rossetti. He maintained a lifelong correspondence with Rossetti and Henry Sutton, a young poet and journalist from Nottingham.

Allingham’s poetic style was deeply influenced by the Border Ballads tradition, and he shared literary sensibilities with figures like Rossetti and William Morris. His notable work Day and Night Songs (1855) featured illustrations by Rossetti, John Everett Millais, and Arthur Hughes, with engravings by the Dalziel brothers. Later, he published Fifty Modern Poems (1865) and a collection titled Songs, Ballads, and Stories (1877).

Editorial Career and Later Life

In 1870, with the support of Thomas Carlyle, Allingham was appointed sub-editor of Fraser’s Magazine. By 1874, he had succeeded historian J.A. Froude as the magazine’s editor, a role he held for five years. Throughout his career, he fostered friendships with notable artists and writers such as Edward Burne-Jones, Charles Dickens, and the Brownings.

In 1874, he married Helen Paterson, a talented watercolour artist, with whom he spent the later years of his life.

Legacy and Works

William Allingham’s contributions to literature continue to be recognized, particularly through his poetry and his connections with major literary and artistic figures of the 19th century. His letters and diaries, edited and published posthumously, offer insight into his friendships and literary engagements.

Key Publications:

  • Letters of Dante Gabriel Rossetti to William Allingham 1854-1870 (1897) – Edited by George Birkbeck Hill
  • William Allingham: A Diary (1907) – Edited by Helen Allingham and D. Radford
  • Letters to William Allingham (1911) – Edited by Helen Allingham and E. Baumer Williams

Poems by William Allingham

  • A Day-Dream’s Reflection
  • A Dream
  • A Gravestone
  • A Memory
  • A Seed
  • A Singer
  • Abbey Assaroe
  • Adieu to Belshanny
  • Aeolian Harp
  • After Sunset
  • Amy Margaret’s Five Year Old
  • An Evening
  • Autumnal Sonnet
  • Down on the Shore
  • Half-waking
  • In a Spring Grove
  • In Snow
  • Late Autumn
  • Lepracaun or Fairy Shoemaker, The
  • The Little Dell
  • Meadowsweet
  • On a Forenoon of Spring
  • Places and Men
  • Robin Redbreast
  • The Boy
  • The Eviction
  • The Fairies
  • These Little Songs
  • The Touchstone
  • Wayside Flowers
  • Writing

Quotes by William Allingham

“A man who keeps a diary pays, Due toll to many tedious days; But life becomes eventful – then, His busy hand forgets the pen. Most books, indeed, are records less Of fulness than of emptiness.”

“Autumn’s the mellow time.”

“I have been an “Official” all my life, without the least turn for it. I never could attain a true official manner, which is highly artificial and handles trifles with ludicrously disproportionate gravity.”

“If any foes of mine are there, I pardon every one: I hope that man and womankind will do the same by me.”

“Now Autumn’s fire burns slowly along the woods and day by day the dead leaves fall and melt.”

“She danced a jig, she sung a song that took my heart away.”

“Writing is learning to say nothing, more cleverly each day.”


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